LITTLE JERRY AND THE MONOTONES
Performed by...
Big Jeffy, Jeff Moss
Rockin’ Richard, Richard Hunt
Chrissy, Christopher CerfFirst appearance...
Sesame Street Season 2 (1970)
Most recent appearance...
Sesame Street Season 31, Episode 3898 (2000)
Band Members...
The group is led by Little Jerry on vocals, Big Jeffy sings bass for the group, along with Chrissy (not to be confused with the leader of Chrissy and the Alphabeats) and Rockin’ Richard.
Little Jerry and the Monotones are a group of hippies who sing rock and roll tunes, usually in the style of 1950's do-wop. Many of their early songs are about different emotions, such as "Mad," "Proud," and "Sad."
THE MONOTONES AND THEIR PERFORMERS
Each member of Little Jerry and the Monotones is named after their primary performer, though at times members of the group have different performers/voices (most notably in a season two sketch in which the group assists Grover in spelling the word “walk”, in which Jerry Nelson performed Big Jeffy, Fran Brill performed Little Jerry, and Caroll Spinney performed Chrissy and Rockin’ Richard), sometimes with certain members having different voices and even being referred to by the wrong name (for example, in “Mountain of Love”, the orange member refers to himself as Big Jeffy, when Big Jeffy is actually the fat blue one). Chrissy and Rockin’ Richard don’t get many solo lines in songs and often lip-sync to the wrong voices the most, making it difficult to determine which one is supposed to be Chrissy and which one is supposed to be Richard.
LITTLE JERRY AND THE MONOTONES SONGS
- "Mad"
- "Proud"
- "Sad"
- "Four"
- "Danger"
- "Telephone Rock"
- "With Every Beat of My Heart"
- "Body Full of Rhythm"
- "Mountain of Love"
- "When You Move the Mouse"
Most of the group's appearances were musical performances, and all known musical performances are listed above. However, their best-known performance is probably "Telephone Rock," in which Little Jerry sings to an annoyed operator while inside the telephone booth, getting joined by the rest of the group inside the telephone booth. By the end of the song the operator shows up with a cop, who closes the door on them and carries the telephone booth, as the band keeps singing as if nothing happens.
Two of their few non-music appearances are sketches with Grover. In one such sketch, they hold up the letters that spell “walk”, and once Grover says what it spells, they walk over Grover. In another, Grover talks about the word “exit”, as they go through the door Grover is standing in front of in the wrong direction, once again walking over Grover.
WHY DOES SESAME STREET NEED LITTLE JERRY AND THE MONOTONES?
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